Showing posts with label Julia Child. Show all posts
Showing posts with label Julia Child. Show all posts

Tuesday, August 14, 2012

Happy 100th Birthday, Julia!


Julia Child has been such a huge inspiration to so many people, myself included.  Tomorrow (8/15) is a big day for Julia fans around the world...It marks what would have been her 100th birthday!  In celebration of such a talented, fantastic and all-around amazing chef and person, I'd like to post a collection of some of my favorite Julia recipes for you to peruse.  Maybe one of them will even inspire you to get into the kitchen in honor of the great Julia.  ;)

The Julia quote in my blog header above has become sort of my mantra...It rings so true and can apply to just about anything that you love.  What are you passionate about?

"Find something you're passionate about and keep tremendously interested in it."

Happy 100th Birthday, Julia!

I'm thinking a big slice of her delicious Reine de Saba cake (linked below) and one of my favorite movies - Julie & Julia - would be the perfect way to celebrate.  :)

















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Thursday, March 1, 2012

Coq Au Vin - Julia Child



With a little imagination, "Mademoiselle de Paris" softly playing on the radio, and a glass of red wine in hand, my kitchen can be transformed into a Parisian  pied-à-terre near the Champs-Élysées any day of the week...

Okay, maybe with A LOT of imagination!

No, seriously...I love to get into the kitchen, put a little Juliette Greco or Edith Piaf on the radio and cook a classically delicious French meal.  There's something amazing about all those layers of flavor that go into a meal cooked slowly with red wine like Coq Au Vin or Boeuf Bourguignon.  And, if you've never made one of these, you are missing out on two of the best dishes you'll ever eat.  I blogged about Julia's Boeuf Bourguignon HERE, and her recipe below for Coq Au Vin is equally as life-changing. 

When I'm in the mood for classic French cuisine, I undoubtedly always turn to Julia Child's Mastering the Art of French Cooking.  I only made a few minor adjustments:  I did not use the cognac.  The idea of lighting it on fire with a match makes me incredibly nervous!  I'll get over that one day, but not just yet.  Also, I couldn't find fresh pearl onions, so I left those out.  However, I partially made up for that by using regular onions in the following marinade technique:

Some recipes for Coq Au Vin, like THIS ONE, call for marinating the chicken pieces in the red wine overnight, along with carrots, onions and celery.  I really loved that idea, so I added this extra step to Julia's version, using the quantities in the recipe from Epicurious included above.  I simply removed the chicken from the marinade (reserving the marinade!) and dried it well with paper towels before browning it in the bacon fat.  I also left the vegetables in the marinade while it simmered with the chicken, but strained the veggies out after the chicken was removed (see notes below).  


This dish was amazing, and Brad gave it 2 BIG thumbs up as well.


Bon Appetit, my friends!





Ingredients:
  • See my notes above about marinating the chicken overnight!  If you do this, extra ingredients will be needed.
  • 3 to 4-ounce chunk lean bacon
  • 2 tablespoons unsalted butter
  • 2 1/2 to 3 pounds frying chicken, cut into pieces
  • 1/2 teaspoon salt, plus additional for seasoning
  • 1/8 teaspoon pepper, plus additional for seasoning
  • 1/4 cup cognac
  • 3 cups young, full-bodied red wine, such as Burgundy, Beaujolais, Cotes du Rhone, or Chianti
  • 1 to 2 cups brown chicken stock, brown stock or canned beef bouillon
  • 1/2 tablespoon tomato paste
  • 2 cloves mashed garlic
  • 1/4 teaspoon thyme leaves
  • 1 bay leaf
  • 12 to 24 Brown-Braised Onions, recipe follows
  • 1/2 pound Sauteed Mushrooms, recipe follows
  • 3 tablespoons all-purpose flour
  • 2 tablespoons softened butter
  • Fresh parsley leaves
Directions:
Remove the rind and cut the bacon into lardons (rectangles 1/4-inch across and 1-inch long). Simmer for 10 minutes in 2 quarts of water. Rinse in cold water. Dry.

In a heavy large heavy bottomed casserole or Dutch oven, saute the bacon slowly in hot butter until it is very lightly browned (temperature of 260 degrees F for an electric skillet). Remove to a side dish.

Dry the chicken thoroughly. Brown it in the hot fat in the casserole. (360 degrees F for the electric skillet.)

Season the chicken with salt and pepper. Return the bacon to the casserole with the chicken. Cover and cook slowly (300 degrees F) for 10 minutes, turning the chicken once.

Uncover, and pour in the cognac. Averting your face, ignite the cognac with a lighted match. Shake the casserole back and forth for several seconds until the flames subside.

Pour the wine (or reserved marinade in my case) into the casserole. Add just enough stock or bouillon to cover the chicken. Stir in the tomato paste, garlic and herbs. Bring to a simmer. Cover and simmer slowly for 20 to 25 minutes (I simmered mine for closer to 45 minutes), or until the chicken is tender and its juices run a clear yellow when the meat is pricked with a fork. Remove the chicken to a side dish.

(Note:  This is where I strained the extra veggies out of the cooking liquid.  See my notes in the headnote above.)

While the chicken is cooking, prepare the onions and mushrooms.

Simmer the chicken cooking liquid in the casserole for 1 to 2 minutes, skimming off fat. Then raise the heat and boil rapidly, reducing the liquid to about 2 1/4 cups. Correct seasoning. Remove from heat, and discard bay leaf.

Blend the butter and flour together into a smooth paste (beurre manie). Beat the paste into the hot liquid with a wire whip. Bring to the simmer, stirring and simmer for 1 to 2 minutes. The sauce should be thick enough to coat a spoon lightly.

Arrange the chicken in a casserole, place the mushrooms and onions around it and baste with the sauce. If the dish is not to be served immediately, film the top of the sauce with stock or dot with small pieces of butter. Set aside uncovered for no longer than 1 hour or cool, cover and refrigerate until needed.

Shortly before serving, bring the casserole to a simmer, basting the chicken with the sauce. Cover and simmer slowly for 4 to 5 minutes, until the chicken is heated through.

Serve from the casserole, or arrange on a hot platter. Decorate with sprigs of parsley. 

Brown-Braised Onions:

  • 1 1/2 tablespoons butter
  • 1 1/2 tablespoons oil
  • 18 to 24 peeled white onions, about 1-inch in diameter
  • 1/2 cup brown stock, canned beef bouillon, dry white wine, red wine, or water
  • Salt and pepper
  • Medium herb bouquet: 4 parsley sprigs, 1/2 bay leaf and 1/4 teaspoon thyme tied in cheesecloth
When the butter and oil are bubbling in the skillet, add the onions and saute over moderate heat for 10 minutes, rolling the onions about so they will brown as evenly as possible. Be careful not to break their skins. You cannot expect to brown them uniformly.

Braise them as follows: Pour in the stock, season to taste, and add the herb bouquet. Cover and simmer slowly for 15 to 20 minutes until the onions are perfectly tender but retain their shape, and the liquid has evaporated. Remove herb bouquet. Serve them as they are.

Bake them as follows: Transfer the onions and their sauteing fat to a shallow baking dish or casserole just large enough to hold them in 1 layer. Set uncovered in upper third of a preheated 350 degree F oven for 40 to 50 minutes, turning them over once or twice. They should be very tender, retain their shape and be a nice golden brown. Remove herb bouquet. Serve them as they are.

Sauteed Mushrooms:

  • 2 tablespoons butter
  • 1 tablespoon oil
  • 1/2 pound fresh mushrooms, washed, well dried, left whole if small, sliced or quartered if large
  • 1 to 2 tablespoons minced shallots or green onions, optional
  • Salt and pepper
Place the skillet over high heat with the butter and oil. As soon as you see that the butter foam has begun to subside, indicating it is hot enough, add the mushrooms. Toss and shake the pan for 4 to 5 minutes. During their saute the mushrooms will at first absorb the fat. In 2 to 3 minutes the fat will reappear on their surface, and the mushrooms will begin to brown. As soon as they have browned lightly, remove from heat.

Toss the shallots or green onions, if using, with the mushrooms. Saute over moderate heat for 2 minutes. Sauteed mushrooms may be cooked in advance, set aside, then reheated when needed. Season to taste just before serving. 


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Wednesday, August 31, 2011

Julia Child's Ratatouille


***If you saw my kitchen right now, you might just chuckle.  In fact, Brad thinks it's pretty funny.  What am I talking about?  Well, there are several small mountains of fresh produce meticulously arranged and on glorious display around my kitchen.  Sweet potatoes, red potatoes, green bell pepper, not one but THREE varieties of eggplant, gorgeous tomatoes, cucumbers, and even fresh basil and spearmint.

In my opinion, one must take advantage of this wonderful summer produce while you can!!  Right??

This past weekend, Brad and I visited our favorite farmer's markets to see what was available.  We came home with bags of goodies, and I was super excited to get into the kitchen!  

With so much eggplant and tomato on-hand, a delicious Ratatouille was a no-brainer.  And not just ANY ratatouille - Julia's!  If you are going to commit to such a classic dish, it needs to be done right.  Julia's recipe is the "proper" way to prepare one.  Each vegetable is cooked individually before they are all added to the same dish for the grand finale.  That way, each veggie retains its own shape and delicious layers of flavor are created.

I know, I know...You might be thinking, "Now, who would want to go through SO much trouble for just a side dish??"  However, stop right there - The extra steps and preparation for this dish are all well worth the effort.  With that first bite, you'll be transported to Provence...even if it's only for a few fleeting, but wonderful seconds!

Bon Appetit!


Ratatouille
Source:  Mastering the Art of French Cooking; Volume I by Julia Child, Simone Beck and Louisette Bertholle

Ingredients:

    1 lb. eggplant 1 lb. zucchini (I used yellow squash instead) 1 tsp. salt 4-6 Tbsp. olive oil, divided 1/2 lb. (about 1 1/2 cups) thinly sliced yellow onions 2 sliced red or green peppers (about 1 cup) 2 cloves mashed garlic Salt & Pepper to taste 1 lb. firm, ripe, red tomatoes, peeled, seeded and juiced 3 Tbsp. minced parlsey
Directions:
Peel the eggplant and cut into lengthwise slices 3/8" think, about 3" long and 1" wide. Scrub the zucchini, slice off the two ends and cut into slices about the same size as the eggplant. Place the vegetables in a bowl and toss with 1 tsp. salt. Let stand for 30 minutes. Drain and dry each slice in a towel.

One layer at a time, saute the eggplant and then the zucchini in 4 Tbsp. hot olive oil in a 10-12" skillet for about a minute on each side to brown very lightly. Remove to a side dish.

In the same skillet, cook the onions and peppers (add an additional 2 Tbsp. of olive oil if needed) for about 10 minutes, until tender but not browned. Stir in the garlic and season with salt & pepper to taste.

Slice tomato pulp into 3/8" strips. Lay them over the onions and peppers. Season with salt & pepper. Cover the skillet and cook over low heat for 5 minutes or until tomatoes have begun to render their juice. Uncover, taste the tomatoes with the juices, raise heat and boil for several minutes until juice has almost entirely evaporated.

Place a third of the tomatoe mixture in the bottom of a 2 1/2 quart casserole (about 2 1/2" deep). Sprinkle 1 Tbsp. fresh, minced parlsey over tomatoes. Arrange half of the eggplant and zucchini on top, then half the remaining tomatoes and parsley. Put in the rest of the eggplant and zucchini and finish with the remaining tomatoes and parsley.

Cover the casserole and simmer over low heat for 10 minutes. Uncover, tip the casserole and baste with the rendered juices. Correct seasoning if necessary. Raise heat slightly and cook uncovered about 15 minutes more, basting several times, until juices have evaporated leaving a spoonful or two of flavored olive oil. Be careful of your heat; do not let the vegetables scorch in the bottom of the casserole!

Serves 6-8



Monday, August 16, 2010

Peach Clafoutis - Julia Child



***Now, you didn't really think that I would let Julia's birthday go by without sharing a new recipe by Julia with you, right?  I've been curious about what a classic French clafoutis (pronounced Kla-foo-TEE) tasted like for a while now.  They always looked beautiful in the photos that I saw, and I wondered if they tasted as good as they looked.  This dessert has a luxurious custardy filling and tastes perfectly french! 

I knew that if I was going to make a clafoutis, it would be a crime not to begin with Julia's recipe in Mastering the Art of French Cooking, Volume I.  The recipe sounded incredibly simple, which it ultimately was.

Traditionally, a clafoutis is made with cherries, so that is how Julia presents this recipe in her cookbook.  Being the southern girl that I am, I decided to substitute the cherries with the freshest, most gorgeous Clanton peaches.  They were superb!  Feel free to subsitute about 3 cups of any fruit that you like.  The only other addition that I made was the cardamom.  There's just something about cardamom in fruity, pastry-like desserts that I adore.  I've included my changes in purple, below.

I did make one big mistake, though...I was in such a hurry that I forgot to sprinkle the second 1/3 cup sugar over the fruit, before pouring the rest of the batter into the pan.  As a result, the finished dessert wasn't quite as sweet as it should be, however, I'm sure my hips will thank me for that mistake later!

Bon Appetit!***


Clafoutis
Source:  Mastering the Art of French Cooking, Vol. I; by Julia Child, Louisette Bertholle, and Simone Beck

serves 6-8


Ingredients:
1 1/4 cups milk
2/3 cup granulated sugar, divided
3 eggs
1 Tablespoon vanilla
1/8 teaspoon salt
1/2 cup flour
3 ripe peaches, sliced
1/3 cup sugar
1 tsp. ground cardamom
powdered sugar, for garnish

Directions:
Pre-heat oven to 350 degrees F.

In a blender blend the milk, 1/3 cup sugar, eggs, vanilla, cardamom, salt and flour. Pour a 1/4 inch layer of the batter in a buttered 7 or 8 cup lightly buttered fireproof baking dish. Place in the oven until a film of batter sets in the pan (about 2-3 minutes).

Remove from the heat and spread the peaches over the batter. Sprinkle on the remaining 1/3 cup of granulated sugar. Pour on the rest of the batter.

Bake at 350 degrees F for about 45 minutes to an hour. The clafouti is done when puffed and brown and and a knife plunged in the center comes out clean. Sprinkle with powdered sugar, serve warm.

Sunday, August 15, 2010

Happy Birthday Julia Child!


(click this link to see my feature on Julia!)
by Celeste Ward; Featured in "Birmingham's Best Eats"

"Find something you're passionate about and keep tremendously interested in it."  -Julia Child

This quote by Julia Child is so true...We should all be so lucky enough to find something that we are truly passionate about.  Julia Child certainly discovered her passion for all things culinary all those years ago in Paris, France, and she continues to be a huge inspiration to me.

I was thrilled when Birmingham blogger, Wade Kwon, contacted me about a month-long feature he was doing on his website.  It was to be called "Birmingham's Best Eats," and he was looking for contributers to write articles, restaurant reviews and feature recipes.  I didn't think twice...Of COURSE I wanted to participate!

The first idea that came to mind was Julia's birthday...surprise, surprise.  I thought it would be perfect to write an article to celebrate what would have been her 98th birthday. 

The article was published this morning, over at Wade's website, "Wade on Birmingham."

Please visit THIS LINK to see my feature on Julia Child!!!

In the words of the beloved Julia, "Bon Appetit!"

Thursday, August 12, 2010

Julia Child on The David Letterman Show



With Julia Child's birthday approaching, I couldn't help but share this classic video of her appearance on The David Letterman Show.  As always, she was hilarious and quick on her feet!  It's impossible not to love her, especially after watching something like this!

Monday, August 9, 2010

Sugar & Spice is Featured on The Cooking Channel's Website!


I am so incredibly excited to announce that my little ole' food blog is currently being featured on The Cooking Channel's website.  You may even recognize the cover shot in the article...Yep...That's my Strawberry Tart that's featured!  :-)
Strawberry Tart Recipe

Take a look at the article here:
Kicking Off a Week of Julia Child

Julia Child's birthday would have been on August 15th, so The Cooking Channel is celebrating the culinary legend all week long.

If you've been a reader of my blog for a while,  you're well aware of the fact that Julia has been, and continues to be, such a huge inspiration to me.  Her cookbooks and TV shows continue to influence the way that I cook.  After reading her memoir, "My Life in France," I really began to relate to her.

Help me celebrate Julia this week by visiting The Cooking Channel, and maybe even by getting your dose of Julia at:  Julia Child on Sugar & Spice.

Of course, you can also expect a few more Julia surprises this week!  Stay tuned!!!

Happy Early Birthday, Julia!!!

Monday, August 31, 2009

Chicken Breasts with Mushrooms & Cream

***WARNING: If you make this dish, you may be tempted to lick the remaining sauce from the pan! The mushroom and cream sauce that smothers the chicken breasts in this recipe is so divine. I found this in Julia Child's Mastering the Art of French Cooking, Vol. I. She never fails to impress me (as you can probably tell from the numerous Julia recipes I've been blogging about lately!)

Just think...cream, mushrooms and butter...Mmm....sauces don't get much better than that, folks! It's creamy, luxurious and satisfying...all at the same time.

Furthermore, the way that the chicken breasts are prepared produces incredibly tender and moist chicken. Because I used my Le Creuset dutch oven, I did not follow Julia's suggestion of covering the chicken with a piece of buttered wax paper (gasp!). I simply covered the dutch oven with the heavy lid and popped it into the oven. The results were fantastic!

I served this chicken with asparagus...perfection! Brad and I both are looking forward to having this dish again!***


Supremes de Volaille aux Champignons
(Chicken Breasts with Mushroom and Cream)
Source: Mastering the Art of French Cooking, Vol. I by Julia Child, Louisette Bertholle and Simone Beck (Knopf, 1961)

Ingredients:
4 supremes (boneless, skinless chicken breasts)
1/2 teaspoon lemon juice
1/4 teaspoon salt
Big pinch white pepper
5 tablespoons butter
1 tablespoon minced shallot or green onion
1/4 pound diced or sliced fresh mushrooms
1/8 teaspoon salt

For the sauce:
1/4 cup white or brown stock or canned beef bouillon
1/4 cup port, Madeira or dry white vermouth
1 cup whipping cream
Salt and pepper
2 tablespoons freshly minced parsley

Directions:Preheat oven to 400 degrees.

Rub the chicken breasts with drops of lemon juice and sprinkle lightly with salt and pepper. Heat the butter in a heavy, oven-proof casserole, about 10 inches in diameter until it is foaming. Stir in the minced shallots or green onion and saute a moment without browning. Then stir in the mushrooms and saute lightly for a minute or two without browning. Sprinkle with salt.

Quickly roll the chicken in the butter mixture and lay a piece of buttered wax paper over them, cover casserole and place in hot oven. After 6 minutes, press top of chicken with your finger. If still soft, return to oven for a moment or two. When the meat is springy to the touch it is done. (Please Note: Although Julia suggests to check the chicken after only 6 minutes, I (as well as several of my readers!) feel that this amount of time is inadequate to thoroughly cook the chicken. I cooked it for closer to 30-40 minutes. Please use a meat thermometer to ensure the correct temperature before serving!)

Remove the chicken to a warm platter (leave mushrooms in the pot) and cover while making the sauce (2 to 3 minutes).

To make sauce, pour the stock and wine in the casserole with the cooking butter and mushrooms. Boil down quickly over high heat until liquid is syrupy. Stir in the cream and boil down again over high heat until cream has thickened slightly. Off heat, taste for seasoning, and add drops of lemon juice to taste. Pour the sauce over the chicken, sprinkle with parsley and serve immediately.

Serves 4.

Source: “Mastering the Art of French Cooking, Vol. I” by Julia Child (Knopf, 1961)

Sunday, August 23, 2009

Reine de Saba avec Glaçage au Chocolat (Chocolate & Almond Cake)

***Ladies and gentleman, I present to you - Julia Child's wonderfully scrumptious Reine de Saba cake. The texture of this cake is quite incredible and perfectly chocolately. I made this in celebration of Julia's birthday on August 15th...along with the Boeuf Bourguignon and Pain Francaise posted below.

The pulverized almonds in this cake give it such a nice flavor. I simply ground some slivered almonds in a food processor, until they were the correct size. ***A great tip is to add about a teaspoon or so of granulated sugar to the bowl of the food processor before pulsing the almonds. This will prevent the almonds from turning into a paste!***

Because this cake is baked in one 8" cake round and is only one layer tall, it's really a simple cake to make. I put it together the night before our big Julia celebration. It kept perfectly in the fridge for several days.

The texture of both the cake and the icing is wonderful. It really does sort of melt in your mouth. The addition of raspberries really made the flavors pop. I've been on a chocolate + raspberry kick lately....seriously delicious!! I also used Frangelico liquer in place of the rum in the cake batter...I also used freshly brewed coffee in the icing....WOW!

I definitely look forward to making this again!***
Reine de Saba avec Glaçage au Chocolat(Chocolate and Almond Cake with Chocolate Icing)
From Mastering the Art of French Cooking, Vol. I by Julia Child, Simone Beck & Louisette Bertholle.

This extremely good chocolate cake is baked so that its center remains slightly underdone; overcooked, the cake loses its special creamy quality. It is covered with a chocolate-butter icing, and decorated with almonds. Because of its creamy center it needs no filling. It can be made by starting out with a beating of egg yolks and sugar, then proceeding with the rest of the ingredients. But because the chocolate and the almonds make a batter so stiff it is difficult to fold in the egg whites, we have chosen another method, that of creaming together the butter and sugar, and then incorporating the remaining items.

Ingredients:
For the Cake:
4 ounces or squares semisweet chocolate melted with 2 Tb rum or coffee
1/4 lb. or 1 stick softened butter
2/3 cup granulated sugar
3 egg yolks
3 egg whites
Pinch of salt
1 Tb granulated sugar
2/3 cup pulverized almonds
1/4 tsp almond extract
1/2 cup cake flour (scooped and leveled) turned into a sifter

For the Icing:
2 ounces (2 squares) semisweet baking chocolate
2 Tb rum or coffee
5 to 6 Tb unsalted butter

Equipment:

A round cake pan 8 inches in diameter and 1-1/2 inches deep
A 3-quart mixing bowl
A wooden spoon or an electric beater
A rubber spatula
A cake rack
A small covered pan
A larger pan of almost simmering water
A wooden spoon
A bowl with a tray of ice cubes and water to cover them
A small flexible-blade metal spatula or a table knife

Instructions:

For the Cake:


Preheat oven to 350°F (175°C).

Butter and flour the cake pan. Set the chocolate and rum or coffee in a small pan, cover, and place (off heat) in a larger pan of almost simmering water; let melt while you proceed with the recipe. Measure out the rest of the ingredients. Cream the butter and sugar together for several minutes until they form a pale yellow, fluffy mixture.

Beat in the egg yolks until well blended.

Beat the egg whites and salt in a separate bowl until soft peaks are formed; sprinkle on the sugar and beat until stiff peaks are formed.

With a rubber spatula, blend the melted chocolate into the butter and sugar mixture, then stir in almonds, and almond extract. Immediately stir one fourth of the beaten egg whites to lighten the batter. Delicately fold in a third of the remaining whites and when partially blended, sift on one third of the flour and continue folding. Alternate rapidly with more egg whites and more flour until all egg whites and flour are incorporated.

Turn the batter into the cake pan, pushing the batter up to its rim with a rubber spatula. Bake in middle level of preheated oven for about 25 minutes. Cake is done when it has puffed, and 2-1/2 to 3 inches around the circumference are set so that a needle plunged into that area comes out clean; the center should move slightly if the pan is shaken, and a needle comes out oily.

Allow cake to cool in the pan for 10 minutes. Run knife around the edge of the pan, and reverse cake on the rack. Allow it to cool for an hour or two; it must be thoroughly cold if it is to be iced.

For the Icing:

Place the chocolate and rum or coffee in the small pan, cover, and set in the larger pan of almost simmering water. Remove pans from heat and let chocolate melt for 5 minutes or so, until perfectly smooth. Lift chocolate pan out of the hot water, and beat in the butter a tablespoon at a time. Then beat over the ice and water until chocolate mixture has cooled to spreading consistency. At once spread it over your cake with spatula or knife, and press a design of almonds over the icing.

Yield: For an 8-inch cake serving 6 to 8 people

Saturday, August 22, 2009

Julia Child's "Pain Francaise" (French Bread) - Revisited!


***I've decided something...there aren't many recipes or dishes in the world that are better than fresh bread right out of the oven. One of the only things that can make it better is if you've made it yourself. There's something oddly rewarding...and comforting at the same time...about all of the mixing, kneading and muscle that goes into making this bread. It can be hard to find a scrumptious loaf of authentic French bread here in the USA. That's where this recipe comes in.

Julia Child spent A LOT of time trying to come up with the perfect loaf. She writes in her memoir, My Life in France, that "it would eventually take us two years and something like 184 pounds of flour to try out all the home-style recipes for French bread we could find." Wow...one thing is for certain...Julia had patience!

She eventually traveled to Paris from Cambridge at the request of Professor Raymond Calvel...a wonderful baker and teacher at the Ecole Francaise de Meunerie. There, Professor Calvel taught Julia everything that she needed to know. Julia's husband, Paul, even took photos of the precise positions of the baker's hands during each step. She went back home to Cambridge, and immediately started putting Professor Calvel's techniques to good use. There were only a few problems she had to overcome - First, what type of flour could be used in the place of the French flour (which has a lower gluten content)? Second, how would she simulate a baker's oven?

She did overcome these obstacles and ended up with a superb recipe to include in Mastering the Art of French Cooking, Vol. II. Now, anyone can bake a beautiful French batard...with only a little patience and practice! Please don't let the length of this recipe scare you. The recipe itself is extremely simple...most of the recipe is technique and notes. If you're serious about baking French bread, I highly recommend purchasing a copy of MtAoFC, Vol. II....the illustrations helped me tremendously. The first time that I made this bread during THIS DARING BAKERS CHALLENGE, I only had the recipe to go by...not Julia's illustrations. I've made this bread several times already this month, and the results are much better than my first attempt.

Next time I make this bread...which will be pretty soon...I'll take more photos of the process and add them to this post!!***
Pain Francais (French Bread)
Source: Mastering the Art of French Cooking: Volume Two by Julia Child and Simone Beck

Recipe Quantity:
3 - baguettes (24” x 2”) or batards (16” x 3”) or
6 – short loaves, ficelles, 12 – 16” x 2” or
3 – round loaves, boules, 7 – 8” in diameter or
12 – round or oval rolls, petits pains or
1 – large round or oval loaf, pain de menage or miche; pain boulot

Recipe Time: 7 – 9 hours

Additional Information About the Recipe:
Flour: French bakers make plain French bread out of unbleached flour that has gluten strength of 8 to 9 per cent. Most American all-purpose flour is bleached and has slightly higher gluten content as well as being slightly finer in texture. It is easier to make bread with French flour than with American flour.
(Note: This was true when this book was written in the late 50s but today it is very easy to find unbleached AP flour. In addition, you can source French style, lower gluten AP flour from several specialty millers such as King Arthur Flour)

Bakers’ Oven Versus Home Ovens: Bakers’ ovens are so constructed that one slides the formed bread dough from a wooden panel right onto the hot, fire-brick oven floor, a steam injection system humidifies the oven for the first few minutes of baking. Steam allows the yeast to work a little longer in the dough and this, combined with the hot baking surface, produced an extra push of volume. In addition, steam coagulating the starch on the surface of the dough gives the crust its characteristic brown color. Although you can produce a good loaf of French bread without steam or a hot baking surface, you will a larger and handsomer loaf when you simulate professional conditions.

Stand Mixer Mixing and Kneading of French Bread Dough: French bread dough is too soft to work in the electric food processor, but the heavy-duty mixer with dough hook works perfectly. The double-hook attachment that comes with some hand held mixers and the hand-cranking bread pails are slower and less efficient, to our mind, than hand kneading. In any case, when you are using electricity, follow the steps in the recipe as outlined, including the rests; do not over-knead and for the heavy duty mixer, do not go over a moderate speed of number 3 or 4, or you risk breaking down the gluten in the dough.

Equipment Needed:
Unless you plan to go into the more elaborate simulation of a baker’s oven, you need no unusual equipment for the following recipe. Here are the requirements, some of which may sound odd but will explain themselves when you read the recipe.

(Note: you do not neet to buy all these items if you don't have them already. Just improvise with what you already have)
- 4 to 5 quart mixing bowl with fairly vertical rather than outward slanting sides
- a kneading surface of some sort, 1 1/2 to 2 square feet
- a rubber spatula or either a metal scraper or a stiff wide metal spatula
- 1 to 2 unwrinkled canvas pastry cloths or stiff linen towels upon which the dough may rise
- a stiff piece of cardboard or plywood 18 – 20 inches long and 6 – 8 inches wide, for unmolding dough from canvas to baking sheet
- finely ground cornmeal or pasta pulverized in an electric blender to sprinkle on unmolding board so as to prevent dough from sticking
- the largest baking sheet that will fit in your oven
- a razor blade or extremely sharp knife for slashing the top of the dough
- a soft pastry brush or fine spray atomizer for moistening dough before and during baking
a room thermometer to verify rising temperature

Making French Bread:
Step 1: The Dough Mixture – le fraisage (or frasage)
  • 1 cake (0.6 ounce) (20grams) fresh yeast or 1 package dry active yeast
  • 1/3 cup (75ml) warm water, not over 100 degrees F/38C in a glass measure
  • 3 1/2 cup (about 1 lb) (490 gr) all purpose flour, measured by scooping dry measure cups into flour and sweeping off excess
  • 2 1/4 tsp (12 gr) salt
  • 1 1/4 cups (280 - 300ml) tepid water @ 70 – 74 degrees/21 - 23C
Both Methods:
Stir the yeast in the 1/3 cup warm water and let liquefy completely while measuring flour into mixing bowl. When yeast has liquefied, pour it into the flour along with the salt and the rest of the water.

Hand Method:
Stir and cut the liquids into the flour with a rubber spatula, pressing firmly to form a dough and making sure that all the bits of flour and unmassed pieces are gathered in. Turn dough out onto kneading surface, scraping bowl clean. Dough will be soft and sticky.

Stand Mixer:
Using the dough hook attachment on the speed the mixer manufacturer recommends for dough hook use or the lowest setting if there is no recommendation, slowly work all the ingredients together until a dough ball is formed, stopping the mixer and scrapping the bits of flour and chunks of dough off the bottom of the bowl and pressing them into the dough ball. Continue to mix the dough on a low speed until all the bits of flour and loose chunks of dough have formed a solid dough ball.

(Depending the humidity and temperature of your kitchen and the type of AP flour your use, you may need to add additional flour or water to the dough. To decide if this is necessary, we recommend stopping during the mixing process and push at your dough ball. If the dough is super sticky, add additional flour one handful at a time until the dough is slightly sticky and tacky but not dry. If the dough is dry and feels hard, add 1 Tbsp of water a time until the dough is soft and slightly sticky. Breadchick likes to keep a soup or cereal bowl of flour and a 1 cup measure of water with a tablespoon next to her mixer for this.)

Both Methods:
Turn dough out onto kneading surface, scraping bowl clean. Dough will be soft and sticky. Let the dough rest for 2 – 3 minutes while you wash and dry the bowl (and the dough hook if using a stand mixer).

Step 2: Kneading – petrissage
The flour will have absorbed the liquid during this short rest, and the dough will have a little more cohesion for the kneading that is about to begin. Use one hand only for kneading and keep the other clean to hold a pastry scrapper, to dip out extra flour, to answer the telephone, and so forth. Your object in kneading is to render the dough perfectly smooth and to work it sufficiently so that all the gluten molecules are moistened and joined together into an interlocking web. You cannot see this happen, of course, but you can feel it because the dough will become elastic and will retract into shape when you push it out.

Hand Method:
Start kneading by lifting the near edge of the dough, using a pastry scraper or stiff wide spatula to help you if necessary, and flipping the dough over onto itself. Scrape dough off the surface and slap it down; lift edge and flip it over again, repeating the movement rapidly.

In 2 -3 minutes the dough should have enough body so that you can give it a quick forward push with the heel of your hand as you flip it over. Continue to knead rapidly and vigorously in this way. If the dough remains too sticky, knead in a sprinkling of flour. The whole kneading process will take 5 – 10 minutes, depending on how expert you become.

Shortly after this point, the dough should have developed enough elasticity so it draws back into shape when pushed, indicating the gluten molecules have united and are under tension like a thin web of rubber; the dough should also begin to clean itself off the kneading surface, although it will stick to your fingers if you hold a pinch of dough for more than a second or two.

Stand Mixer:
Place dough back into the bowl and using the dough hook attachment at the recommended speed (low), knead the dough for about 5 – 7 minutes. At about the 5 minute mark, stop the mixer and push at the dough with your fingertips. If it springs back quickly, you have kneaded the dough enough. If it doesn’t spring back continue to knead, stopping the mixer and retesting every 2 minutes. If the dough sticks to your fingers, toss a sprinkling of flour onto the dough and continue to knead. The dough should be light and springy when it is ready.

Breadchick also recommends always finishing with about 1 – 2 minutes of hand kneading just to get a good feel for how the gluten is formed.

Both Methods:
Let dough rest for 3 – 4 minutes. Knead by hand for a minute. The surface should now look smooth; the dough will be less sticky but will still remain soft. It is now ready for its first rise.

(From here out in the recipe, there is no difference for the hand vs. stand method)

Step 3: First Rising – pointage premier temps (3-5 hours at around 70 degrees)
You now have approximately 3 cups of dough that is to rise to 3 1/2 times its original volume, or to about 10 1/2 cups. Wash and fill the mixing bowl with 10 1/2 cups of tepid water (70 – 80 degrees) and make a mark to indicate that level on the outside of the bowl. Note, that the bowl should have fairly upright sides; if they are too outward slanting, the dough will have difficulty in rising. Pour out the water, dry the bowl, and place the dough in it

(Note: Very lightly grease the bowl with butter or kitchen spray as well to prevent the risen dough from sticking to the bowl).

Slip the bowl into a large plastic bag or cover with plastic, and top with a folded bath towel. Set on a wooden surface, marble or stone are too cold. Or on a folded towel or pillow, and let rise free from drafts anyplace where the temperature is around 70 degrees. If the room is too hot, set bowl in water and keep renewing water to maintain around 70 degrees. Dough should take at least 3 – 4 hours to rise to 10 1/2 cups. If temperature is lower than 70 degrees, it will simply take longer.

When fully risen, the dough will be humped into a slight dome, showing that the yeast is still active; it will be light and spongy when pressed. There will usually be some big bubbly blisters on the surface, and if you are using a glass bowl you will see bubbles through the glass.

Step 4: Deflating and Second Rising – rupture; pointage deuxieme temps (1 1/2 to 2 hours at around 70 degrees)
The dough is now ready to be deflated, which will release the yeast engendered gases and redistribute the yeast cells so that the dough will rise again and continue the fermentation process. With a rubber spatula, dislodge dough from inside of bowl and turn out onto a lightly floured surface, scraping bowl clean. If dough seems damp and sweaty, sprinkle with a tablespoon of flour.

Lightly flour the palms of your hands and flatten the dough firmly but not too roughly into a circle, deflating any gas bubbles by pinching them. Lift a corner of the near side and flip it down on the far side. Do the same with the left side, then the right side. Finally, lift the near side and tuck it just under the edge of the far side. The mass of dough will look like a rounded cushion.

Slip the sides of your hands under the dough and return it to the bowl. Cover and let rise again, this time to not quite triple, but again until it is dome shaped and light and spongy when touched.

(Note: You may need to lightly re-grease your bowl and plastic wrap for the second rise to prevent sticking)

Step 5: Cutting and resting dough before forming loaves
Loosen dough all around inside of bowl and turn out onto a lightly floured surface. Because of its two long rises, the dough will have much more body. If it seems damp and sweaty, sprinkle lightly with flour. Making clean, sure cuts with a large knife or a bench scraper, divide the dough into:
* 3 equal pieces for long loaves (baguettes or batards) or small round loaves (boules only)
* 5 – 6 equal pieces for long thin loaves (ficelles)
* 10 – 12 equal pieces for small oval rolls (petits pains, tire-bouchons) or small round rolls (petits pains, champignons)
* 2 equal pieces for medium round loaves (pain de menage or miche only)

If you making one large round loaf (pain de menage, miche, or pain boulot), you will not cut the dough at all and just need to follow the directions below.

After you have cut each piece, lift one end and flip it over onto the opposite end to fold the dough into two; place dough at far side of kneading surface. Cover loosely with a sheet of plastic and let rest for 5 minutes before forming. This relaxes the gluten enough for shaping but not long enough for dough to begin rising again.

While the dough is resting, prepare the rising surface; smooth the canvas or linen towelling on a large tray or baking sheet, and rub flour thoroughly into the entire surface of the cloth to prevent the dough from sticking

Step 6: Forming the loaves – la tourne; la mise en forme des patons
Because French bread stands free in the oven and is not baked in a pan, it has to be formed in such a way that the tension of the coagulated gluten cloak on the surface will hold the dough in shape.

For Long Loaves - The Batard:
(Baguettes are typically much too long for home ovens but the shaping method is the same)
After the 3 pieces of dough have rested 5 minutes, form one piece at a time, keeping the remaining ones covered. Working rapidly, turn the dough upside down on a lightly floured kneading surface and pat it firmly but not too roughly into an 8 to 10 inch oval with the lightly floured palms of your hands. Deflate any gas bubbles in the dough by pinching them.

Fold the dough in half lengthwise by bringing the far edge down over the near edge. Being sure that the working surface is always lightly floured so the dough will not stick and tear, which would break the lightly coagulated gluten cloak that is being formed, seal the edges of the dough together, your hands extended, thumbs out at right angles and touching.Roll the dough a quarter turn forward so the seal is on top.

Flatten the dough again into an oval with the palms of your hands. Press a trench along the central length of the oval with the side of one hand. Fold in half again lengthwise. This time seal the edges together with the heel of one hand, and roll the dough a quarter of a turn toward you so the seal is on the bottom.

Now, by rolling the dough back and forth with the palms of your hands, you will lengthen it into a sausage shape. Start in the middle, placing your right palm on the dough, and your left palm on top of your right hand. Roll the dough forward and backward rapidly, gradually sliding your hands towards the two ends as the dough lengthens. Deflate any gas blisters on the surface by pinching them. Repeat the rolling movement rapidly several times until the dough is 16 inches long, or whatever length will fit on your baking sheet.

During the extension rolls, keep circumference of dough as even as possible and try to start each roll with the sealed side of the dough down, twisting the rope of dough to straighten the line of seal as necessary. If seal disappears, as it sometimes does with all purpose flour, do not worry.

Place the shaped piece of dough, sealed side up, at one end of the flour rubbed canvas, leaving a free end of canvas 3 to 4 inches wide.The top will crust slightly as the dough rises; it is turned over for baking so the soft, smooth underside will be uppermost.

Pinch a ridge 2 1/2 to 3 inches high in the canvas to make a trough, and a place for the next piece. Cover dough with plastic while you are forming the rest of the loaves.After all the pieces of dough are in place, brace the two sides of the canvas with long rolling pins, baking sheets or books, if the dough seems very soft and wants to spread out. Cover the dough loosely with flour rubbed dish towel or canvas, and a sheet of plastic. Proceed immediately to the final rising, next step.

Step 7: Final Rise – l’appret - 1 1/2 to 2 1/2 hours at around 70 degrees
The covered dough is now to rise until almost triple in volume; look carefully at its pre-risen size so that you will be able to judge correctly. It will be light and swollen when risen, but will still feel a little springy when pressed.

It is important that the final rise take place where it is dry; if your kitchen is damp, hot, and steamy, let the bread rise in another room or dough will stick to the canvas and you will have difficulty getting it off and onto another baking sheet. It will turn into bread in the oven whatever happens, but you will have an easier time and a better loaf if you aim for ideal conditions.

Preheat oven to 450 degrees about 30 minutes before estimated baking time.

Step 8: Unmolding risen dough onto baking sheet – le demoulage.
(Note: we are only going to describe the unmolding of The Batard but the unmolding process is the same no matter the shape of your loaf or loaves. The key to unmolding without deflating your bread is slow and gentle!)
The 3 pieces of risen dough are now to be unmolded from the canvas and arranged upside down on the baking sheet. The reason for this reversal is that the present top of the dough has crusted over during its rise; the smooth, soft underside should be uppermost in the oven so that the dough can expand and allow the loaf its final puff of volume.

For the unmolding you will need a non-sticking intermediate surface such as a stiff piece of cardboard or plywood sprinkled with cornmeal or pulverized pasta.Remove rolling pins or braces. Place the long side of the board at one side of the dough; pull the edge of the canvas to flatten it; then raise and flip the dough softly upside down onto the board.Dough is now lying along one edge of the unmolding board: rest this edge on the right side of a lightly buttered baking sheet.

Gently dislodge dough onto baking sheet, keeping same side of the dough uppermost: this is the soft smooth side, which was underneath while dough rose on canvas. If necessary run sides of hands lightly down the length of the dough to straighten it. Unmold the next piece of dough the same way, placing it to the left of the first, leaving a 3 inch space. Unmold the final piece near the left side of the sheet.

Step 9: Slashing top of the dough – la coupe.
The top of each piece of dough is now to be slashed in several places. This opens the covering cloak of gluten and allows a bulge of dough underneath to swell up through the cuts during the first 10 minutes of baking, making decorative patterns in the crust. These are done with a blade that cuts almost horizontally into the dough to a depth of less than half an inch. Start the cut at the middle of the blade, drawing toward you in a swift clean sweep. This is not quite as easy as it sounds, and you will probably make ragged cuts at first; never mind, you will improve with practice.

Use an ordinary razor blade and slide one side of it into a cork for safety; or buy a barbers straight razor at a cutlery store. For a 16 to 18 inch loaf make 3 slashes. Note that those at the two ends go straight down the loaf but are slightly off centre, while the middle slash is at a slight angle between the two. Make the first cut at the far end, then the middle cut, and finally the third. Remember that the blade should lie almost parallel to the surface of the dough.

Step 10: Baking – about 25 minutes; oven preheated to 450 degrees (230 degrees C).
As soon as the dough has been slashed, moisten the surface either by painting with a soft brush dipped in cold water, or with a fine spray atomizer, and slide the baking sheet onto rack in upper third of preheated oven. Rapidly paint or spray dough with cold water after 3 minutes, again in 3 minutes, and a final time 3 minutes later. Moistening the dough at this point helps the crust to brown and allows the yeast action to continue in the dough a little longer. The bread should be done in about 25 minutes; the crust will be crisp, and the bread will make a hollow sound when thumped.If you want the crust to shine, paint lightly with a brush dipped in cold water as soon as you slide the baking sheet out of oven.

Step 11: Cooling – 2 to 3 hours.
Cool the bread on a rack or set it upright in a basket or large bowl so that air can circulate freely around each piece. Although bread is always exciting to eat fresh from the oven, it will have a much better taste when the inside is thoroughly cool and has composed itself.

Step 12: Storing French bread
Because it contains no fats or preservatives of any kind, French bread is at its best when eaten the day it is baked. It will keep for a day or two longer, wrapped airtight and refrigerated, but it will keep best if you freeze it – let the loaves cool first, then wrap airtight. To thaw, unwrap and place on a baking sheet in a cold oven; heat the oven to 400 degrees. In about 20 minutes the crust will be hot and crisp, and the bread thawed. The French, of course, never heat French bread except possibly on Monday, the baker’s holiday, when the bread is a day old.

Step 13: Canvas housekeeping
After each bread session, if you have used canvas, brush it thoroughly to remove all traces of flour and hang it out to dry before putting away. Otherwise the canvas could become mouldy and ruin your next batch of dough.

The Simulated Bakers’ Oven
Baking in the ordinary way, as described in the preceding recipe, produces an acceptable loaf of bread but does not nearly approach the glory you can achieve when you turn your home oven into a baker’s oven. Merely providing yourself with the proper amount of steam, if you can do nothing else, will vastly improve the crust, the color, the slash patterns, and the volume of your bread; steam is only a matter of plopping a heated brick or stone into a pan of water in the bottom of the oven.

The second provision is a hot surface upon which the naked dough can bake; this gives that added push of volume that improves both the appearance and the slash patterns. When you have the hot baking surface, you will then also need a paddle or board upon which you can transfer dough from canvas to hot baking surface. For the complete set-up, here is what you should have...and any building-supply store stocks these items:

For the hot baking surface: Metal will not do as a hot baking surface because it burns the bottom of the dough. The most practical and easily obtainable substance is ordinary red floor tiles 1/4” thick. They come in various sizes such as 6 x 6, 6 x 3, and you only need enough to line the surface of an oven rack. Look them up under Tiles in your Directory, and ask for “quarry tiles” their official name.

(Note: When this book was written, quarry tiles had a fair amount of asbestos in them. Today, in North America and Europe, they normally are made of clay. Make sure if you decide to go purchase some quarry tiles you only purchase unglazed quarry tiles because most of the glazes used contain lead or some other nasty substance that could get transferred. A large pizza stone will also work but make sure it is at least 1/4 inch thick because the thinner ones can break when used at the high heats that baking bread requires. Make sure you never put wet tiles in the oven because they can shatter or worse as the oven heats up.)

For unmolding the risen dough from its canvas: A piece of 3/16 inch plywood about 20 inches wide.

For sliding the dough onto the hot tiles: When you are doing 3 long loaves, you must slide them together onto the hot tiles; to do so you unmold them one at a time with one board and arrange them side by side on the second board, which takes place on the baker’s paddle, la pelle. Buy a piece of plywood slightly longer but 2 inches narrower than your oven rack.

(Note: Today, you can buy a real baker’s paddle easily online or at a restaurant supply store for about the same money as a piece of plywood and it will have a bevelled edge that will make sliding loaves in and out of the oven easier)

To prevent dough from sticking to unmolding and sliding boards: White cornmeal or small dried pasta pulverized in the electric blender until it is the consistency of table salt. This is called fleurage.

The steam contraption: Something that you can heat to sizzling hot on top of the stove and then slide into a pan of water in the oven to make a great burst of steam: a brick, a solid 10lb rock, piece of cast iron or other metal. A 9 x 12 inch roasting pan 2 inches deep to hold an inch of water and the hot brick.

Monday, August 17, 2009

Julia Child's Boeuf Bourguignon!

"Boeuf Bourguignon." Just hearing the name of this dish lets you know that it's something special. Not just special either....It's like sitting on death row and you can only have one more meal special! Seriously....if I could only have one more meal, this might just be it. Julia herself described this dish as "certainly one of the most delicious beef dishes concocted by man..."

Boeuf Bourguignon is basically beef that has been slowly cooked in red wine, with bacon, onions and mushrooms. I've heard so much about this dish lately. Maybe it has something to do with the fact that Julie Powell made it in the new movie Julie & Julia. This was also the very first dish that Julia Child prepared on The French Chef! It's such a classically French meal. The beautifully complex flavors...especially of the sauce!...really makes this dish amazing.

One of the best things about this meal is the fact that you can make it ahead of time and re-heat it just before your dinner guests arrive. If you make this, authentic French baguettes are a necessity. Why, to sop up all of that divine sauce, of course! It's also traditionally served with potatoes or noodles, so I served it alongside Ina Garten's Garlic Mashed Potatoes.

As I recently posted, I made this dish in honor of Julia Child's birthday...Saturday would have been her 97th birthday. I got really ambitious and made this Boeuf Bourguignon, her recipe for Pain Francaise (French baguettes!), and her Reine De Saba cake for dessert. I'll post all about the wonderfully scrumptious bread in my next post, followed by the yummy Reine De Saba cake.


All chopped up and ready to go...I used a Rump Roast, as suggested by Julia...
Nice and seared...remember to dry the meat, or you won't get a good sear!...
Sauteing the vegetables...carrots and onions:
Before adding the sauce back to the pot:

To make this ambitious menu a little easier to pull off, and to avoid any pre-mature graying of my hair, I made the Reine De Saba the night before. I also put together the bread dough the night before and put it in the fridge for it's first (and longest) rising. It rose perfectly overnight. These preparations really made it a lot easier. Otherwise, I would have been up at 4AM mixing and kneading the dough in order to have it on the table in time.

The Bouef Bourguignon turned out better than I could have imagined. The meat was incredibly tender and just melted in our mouths. It really is worth the extra effort to saute and brown the mushrooms and pearl onions before adding them to the stew. The taste is phenomenal! Just be sure to use a red wine that you would drink...don't use cooking wine!

Plus, it's not often that everyone at the table...and I mean everyone...goes back for seconds. We all had to have second helpings of this tasty meal.

The entire dinner was so perfectly French...from the great food...to the red wine...to the French music lightly playing in the background, it truly was a nice evening. I think Julia would have been proud. ;)

I found PDF versions for Boeuf Bourguignon over at the Knopf/Doubleday website. Because Julia always includes so many wonderful tips and tricks throughout her recipes, I am going to provide links to these PDFs, instead of simply writing a condensed version here.

Simply click on the titles below for the recipes:


Bon Appetit!!!

Saturday, August 15, 2009

HAPPY BIRTHDAY JULIA CHILD!!!

So, as you might already know, today would have been Julia Child's 97th birthday. In the grande dame's honor, I'm planning to host a fabulous French dinner tonight. Of course, all of the recipes are from Mastering the Art of French Cooking, Volumes I & II.

On the menu:
- The Famous Boeuf Bourguignon (Beef Stew in Red Wine, with Bacon, Onions and Mushrooms)
- Pain Francaise (Fresh French Baguettes)
- Reine De Saba/Glacage Au Chocolat (Chocolate & Almond Cake with Chocolate-Butter Icing)

All made from scratch!

As we speak, the Reine de Saba is sitting pretty in the refrigerator (I made it last night), and the dough for the baguettes is about to undergo its second rising. Next, I'll be starting the Boeuf Bourguignon. Whew! It will be a lot of cooking, but I like to think Julia would be proud. ;-)

Of course, I'll blog all about each dish in the next few days. Stay tuned!

Bon Appetit!!!